Continuing on a journey to create boundary-breaking masterpieces in the world of Hyper Horology, Roger Dubuis is proud to introduce the second of its URBAN ART TRIBE timepieces with the Excalibur Gully Monotourbillon.

Gully, the French graffiti-turned-studio artist, follows the path started by Dr. Woo after being granted access to Roger Dubuis’ most important room: the manufacture itself. Taking on the same creative challenge to reinterpret the astral signature of the iconic Excalibur Monotourbillon, he presents his vision of the star by uniting it with his colourful world of graffiti.

Gully is as bold and bright in his ideas as Roger Dubuis. Having created a name for himself graffitiing throughout France in the nineties and noughties, he left the streets behind to maintain his anonymity.

Now he works in a studio and exhibits his work at respected galleries. Master of appropriations, Gully’s art combines all movements, from hyperrealism to pop art, as well as surrealism and cubism, to create facetious and narrative masterworks that travel the history of art as if seen through a child’s eyes.

Talking about his craft, Gully says: “Bringing different worlds together is my trademark. This project has that ethos at its core, making it an obvious collaboration for us both.” Never one to shy away from a challenge, Roger Dubuis made the decision to recraft and reshape its own work of art, the Excalibur Monotourbillon earlier this year.

Through the exceptional skill and ingenuity of its watchmakers, the perfect conditions were created for the URBAN ART TRIBE collaboration. The use of clean-cut lines on both case and movement as well as modern and technical materials not only raises the timepiece to an even higher standard, but also makes it an exciting canvas for creativity. In providing this pure, versatile space, it becomes the playground on which Gully expresses himself.

Consciously appropriating the astral signature and merging it with his graffiti, the star is lifted to new heights by his style. As a nod to his very first street works, Gully’s lettered tag uses the famous single-line technique.

Starting from the centre of the timepiece, his hand moves straight towards 11 o’clock, drawing the preliminary draft of a G. The line then heads towards 3 o’clock, but changes direction half-way to partially design a Y. Finally, the line reaches 9, then 12, 6 and 3, before it moves to the centre of the tourbillon and across to 4 o’clock.

Returning the line to the centre, it becomes clear that two L’s have been drawn. He finishes the run by drawing a U partially around the tourbillon. Look carefully at the letters born out of this continuous movement as the artist not only reinterprets the Roger Dubuis star but also signs the dial.

Look closer still and it becomes apparent that two new stars have been created, levitating in parallel harmony on the top left and bottom right of the dial. From a single line to a singular masterpiece.

Inspired by the spray paint used in urban art, the Maison’s watchmakers filled the letters with luminescent coloured lacquer while the hour markers and the hands are filled with Super-Luminova™.